The artists in this project are active
in local, national, and international networks.
Universities, independent artistic collaboratives and arts
centers are the preferred pillars of a multifarious artistic
exchange.

The model and starting point for this project are the five
Olympic rings. The circles represent the five inhabited
continents.
The five colors of the rings, and their symbolic internal linkage, portray their participation in a greater unity,
like the idea “one world one dream”.

As an analogy for this view of the world,
we invent a building as a topographic ensemble.
The building’s topography features the spaces of five
continents and an additional supra-space.
Each continent is represented on a single story of the
building: in color, in space and acoustically, visually and
through events.

The bowl – an icon and focus of Asian culture – is the
direct conveyor between all the events,
performances, concerts and arts activities.
Each of the above-mentioned genres, differently treated
on each of the five floors, is part of an ongoing open
dynamic process.

One of the five Olympic colors, visible both from inside and
outside the building, is assigned to each level, while on a
sixth floor, the “supra-space” appears as a “white space”.
On this floor, all five colors alternate over a period of time
and culminate in white: the color that combines or
integrates all the others.

A color that arises as part of a process, dissolves and
fades away, and is reborn.
This describes the approach to artistic invention and design
in the moment that is the principle of our activity.